Ive struggled with working on headphones for years, they always felt so unnatural to me and nothing I ever did on them would translate. I’ve been in a lot of situations where i’ve had to track on headphones because the band was in the same room as me or we ran out of space at whatever studio I was working in. Sometimes id just have the vocalist come in the control room with me and sing live with the band for them to have as a reference track. Every time I would try to mix solely on headphones id struggle with translation and would just go back to the speakers. Id still check on headphones to make sure my mixes sounded good on them but that was about it. I’ve tried a ton of different kinds of headphones and even got used to a few pairs of them and grew to like them, but none of them can even come close to the Audeze line of headphones. I got turned onto them at an AES show a few years ago but since I hated working on headphones I could never justify investing any more than a few hundred dollars into them. When I moved out here to Portland I decided id give headphones another chance, I was bouncing around to a few different studios and I decided I should finally have a pair of headphones that I totally trusted since id be unfamiliar with every new room I was working in. I reached out to a few friends that I knew were using Audeze headphones and got some advice. I decided to go with the LCD-X headphones after doing a ton of research and not quite knowing what to expect.

When they got here in the mail I was in the middle of tracking an album so I decided to bring them to the studio with me to try them out. The evening before I listened to a few records I knew very well on them to see what they sounded like. I was pretty stunned, I was bouncing back and forth between them and my beloved Neumann KH120 speakers and I was surprised at how similar they sounded. These were the first headphones that sounded like speakers to me. There was no hyped midrange, top, or bottom end like I was used to with most headphones. I actually found that they had a ton of low end but it was extremely accurate low end. The LCD-X headphones are open back but not like any open-back headphones I’ve ever heard, most of them sound thin to me and I could hear a ton of background noise. It’s almost like there’s some noise cancelation going on during playback but when I stop the music they feel open, natural, and comfortable. I tried to work on some mixes with them early on and was always surprised when id listen back on my speakers and love what I had done. I do have to admit them being open back doesn’t always work to my advantage. I cant use them at the airport or in a crowded space because you can actually hear the music quite clearly from the outside even at a low level, and I can hear just enough of the background noise to make it distracting. They are also massive and heavy so these aren’t exactly the kind of things you wanna take on a walk or run. They sound best with a great headphone amp. Ive been using the amp in my Kush main gain, I’ve also used the SPL monitor with them quite a bit. These things have completely changed the way I mix, I can get mixes started on these while I’m traveling and make decisions that I trust. Now that I know them pretty well I’ve also done a ton of mixes entirely on them. These headphones cost a fraction of what a good set of speakers with a sub cost, and they fall right in the middle of the Audeze price point. I can’t recommend them highly enough!

In March of 2020 just as Covid was starting to wreak havoc on the world all of my work turned remote, and I was unable to go into my studio for weeks. I had quite a bit of mixing to do and was feeling pretty uncomfortable about having to do it entirely in the box without some of my key pieces of gear. Searching for inspiration I somehow stumbled on a new plugin company called Baby Audio they had a deal to get all their plugins for $120. All of their plugins are one of a kind, they all felt like new innovations the likes of which I hadn’t seen before. It really feels like they take the approach of creating new tools instead of just recreating “clones” of classic gear. At the time I got the bundle I had just started mixing an EP for the amazing artist Laura, Laura! and the new plugins that I had just got made it on every single song on the EP. I feel they had a huge impact on my creativity in the mixing process. Recently they released a plugin called Taip which they’ve coined as an AI powered tape plugin. I love using tape emulators on my mixes, I tend to use them to saturate and compress groups as opposed to individual elements. With Taip I’ve found it’s extremely useful on individual elements in place of a compressor or eq. I love using the glue feature and drive features to compress and control dynamics and the presence and the high/low shape knobs to eq. It’s really nice to see a tape emulation plugin that doesn’t use the words bias or ips. Most people that are going to be using these plugins have never worked on tape and have no idea what these things mean, Baby Audio has done away with those terms and labeled things simply as they are.

I recently purchased a new pair of speakers to use at home and on the go.  At my studio I have  pair of Dynaudio Bm15As and a pair of Neumann Kh120s, I love both of these sets of speakers! Sharing my current studio space with another engineer has its challenges.  At the studio we each have our own control rooms with a shared live room, this means every once in a while one of us has to take a forced day off so the other can track in the main live room.  I honestly kind of enjoy having to take some time off away from the studio. This is also great opportunity to do editing or tuning at home on my laptop.  I don't know about other engineers but I struggle working on headphones sometimes which is why I was really excited to learn about the I Louds.  Upon first listen I was blown away by how much low end and energy these little things were able to put out,  listening at quiet levels they still pack a punch.  The speakers come in a super convenient bag that can fit in a backpack or suitcase easily.  Not only are these things super small and easy to move around they're really fun to listen to, I find myself dragging them into my kitchen all the time to listen to while cooking or cleaning.  Just for fun I brought them to the studio to put up against my mains and near fields and I was not disappointed.  Retailing for $299.99 you cant go wrong! The speakers have a stereo RCA input as well as an 1/8" input, and you can connect via bluetooth which is perfect for checking mixes i've emailed to myself on my phone.  I can see myself bringing these with me when I travel and work out of other studios so that i have a consistent set of speakers while freelancing. Check these out!